Books can not really teach sculpture, the artist must experience it. The carver must strengthen the hands to respond deftly to the mind to fulfill the dreams and wishes of the carver.

 Even though you may fall short of your expected desires. You will be impelled by this ever-flowing desire to try again to surpass yourself. You must not feel discouraged. You must be you own severest critic and return to an idea with renewed faith and determination.

 You may feel that you will be an artist after a short period of study, whereas if you really have the desire to become an artist, you know that you will be learning to the end of your days.

 Carving can be a great benefit to anyone. Training the hands to respond to the mind produces a fulfillment of self, and promotes the way you are viewed by your friends and the general public. It can be a distinct and fulfilling experience. Finally there is that sense of ecstasy when the carving is completed.

 Many of the answers that I have given to people about my carving can only be understood after one has attempted and fulfilled the desire to create a beautiful carving out of a piece of rock.

 " How long does it take to make a sculpture?" I am often asked, " Until it is finished is the answer."

 If you try to create a carving according to a time schedule, either the carving will be worthless or the stone will break. You will find it difficult to force the stone to do something that it can not. You will find yourself limited by the grain of the stone and the laws of physics.

 It has been over fifteen years since
Max Sexsmith started carving with me and Kim Warne and John Hoskin started a few years later, they now sell their work through galleries and exhibitions and have web pages up of their work

I hope that their successes be an inspiration to you.

 

Every summer for the past 17 years I have conducted a course at the Haliburton School of Fine Art. Watch for my classes in 2008.

I now teach for 5 weeks a year at the William Holland School of Lapidary. Three weeks in the spring and two weeks in the Fall.

 

 
{Showdates Past and Future} {Biography} {Introduction to Carving} {Basics of Carving}
{Sources of Soapstone} {Sources for Tools}{Soapstone} {Quarrying Soapstone} {Repairing Soapstone}
{Carve a Loon} {Carve a Polar Bear} {Carve an Eagle} {Carvings on Hand} {Archived Carvings}
{Malvina Hoffman} {Ropey Atsiqtaq} {Links} {Inuit Art Beginnings} {50 years of Inuit Art}